Timeline |
Movement |
Main Artists |
Artist pdf |
Movement pdf |
Pre Renaissance |
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5th- |
Gothic Art |
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5th Century AD to 1453 |
Byzantine Art |
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The Renaissance |
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Italy 15th C |
Early Renaissance |
Boticelli |
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Ucello |
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Italy Early 16th C |
High Renaissance |
Michelangelo |
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Leanardo da Vinci |
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1395- |
Northern Renaissance Centered in Germany and the Netherlands, Northern European tradition of Gothic Art was greatly affected by the technical & philosophical advancements of the Renaissance in Italy. Northern artists were masters of technique, and their works are marvels of exquisite detail. |
Jan van Eyck Roger van der Weyden |
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Europe mid to late 16th C |
Mannerism Mannerism, the artistic style which is considered to be a period of technical accomplishment but also of formulaic, theatrical and overly stylized work. Mannerist Art is characterized by a complex composition, with muscular and elongated figures in complex poses. |
Raphael Michelangelo Pargarmiano |
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Europe 17th - |
Baroque Art Baroque art is less complex, more realistic and more emotionally affecting than Mannerist art. It was encouraged by the Catholic Church, seen as a return to tradition and spirituality |
Caravaggio Bernini Reubens Rembrandt Vermeer Velasquez |
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1715- |
Rococo Rococo Art succeeded Baroque Art in Europe. It was most popular in France, and is generally associated with the reign of King Louis XV (1715- |
Fragonard Boucher Tiepolo |
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Mid 18th - |
Neoclassicism Neoclassical Art is a severe and unemotional form of art returning to the art style of ancient Greece and Rome. Its rigidity was a reaction to the overbred Rococo style and the emotional charged Baroque style. The rise of Neoclassical Art was part of a general revival of interest in classical thought, which was of some importance in the American and French revolutions. |
Robert Adams Canova Jacques Louis David |
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1600's - |
Japanese Ukiyo- Ukiyo- |
Hiroshige |
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Hokusai |
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Late 18th - |
Romanticism Romanticism was seen as a reaction against Neoclassicism. It is a deeply- |
Casper David Friedrich John Constable JMW Turner William Blake |
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Britain 1845 to late 19th C |
Pre- The seven artists developed a naturalistic style of art. Students were encouraged to draw from Raphael’s examples rather than from nature itself; thus they became the "Pre- |
Rossetti Millais Holman Hunt |
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Britain Mid to late 19th C |
Victorian Classicism Victorian Classicism was a British form of historical painting inspired by the art and architecture of Classical Greece and Rome. Interest in lost civilizations and exotic cultures, fuelled the rise of Classicism in Britain. Classicists epitomized the rigid academic standards of painting. |
Frederick Leighton Lawrence Alma- |
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Britain Late 19th C |
Arts & Crafts Movement The Arts and Crafts Movement was a celebration of individual design and craftsmanship, developing as a reaction against transformation of Britain due to the industrial revolution. William Morris, who spearheaded the movement, is particularly remembered as a book designer. He also produced stained glass, textiles and wallpaper, in addition to being a painter and writer. |
William Morris Edward Burne- Dante Gabriel Rossetti |
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Late 19th C |
Symbolism Symbolism art became infused with exaggerated sensitivity and a spooky mysticism. It was a continuation of the Romantic and used mythology and dream imagery for a visual language of the soul. |
Gustave Moreau Odilon Redon |
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Mid 19th C |
Realism Realism is an approach to art in which subjects are depicted in as straightforward a manner as possible, without idealizing them and without following rules of formal artistic theory. |
Thomas Eakins Camille Corot |
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France 1860 - |
Impressionism Impressionism is a light, spontaneous manner of painting which began in France as a reaction against the restrictions and conventions of the dominant Academic art. Its naturalistic and down- |
Claude Monet Alfred Sisley Pierre Auguste Renoir Pissaro Degas Manet Mary Cassatt |
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America 1880 - |
Tonalism Tonalism is a style of painting in which landscapes are depicted in soft light and shadows, often as if through a colored or misty veil. It was imported to the U.S. by American painters inspired by Barbizon School landscapes. |
James Whistler |
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France 1880's - |
Post Impressionism Post- |
Paul Gaugin Paul Cezanne Vincent van Gogh Henri Rousseau Henri de Toulouse- |
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France 1880's - |
Pointillism Pointillism is a form of painting in which tiny dots of primary- |
Georges Seurat Paul Signac |
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France 1898- |
Fauvism Fauvism grew out of Pointillism and Post- |
Andre Derain Henri Matisse |
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Late 19th C to Early 20th C |
Art Nouveau Art Nouveau is an elegant decorative art style characterized by intricate patterns of curving lines. Its origins somewhat rooted in the British Arts and Crafts Movement of William Morris, |
Alphonse Mucha Aubrey Beardsley Gustav Klimt Arthur Rackham |
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1920's and 30's |
Art Deco Art Deco is an elegant style of decorative art, design and architecture which began as a Modernist reaction against the Art Nouveau style. It is characterized by the use of angular, symmetrical geometric forms. One of the classic Art Deco themes is that of 1930s- |
Tamara de Lempicka William van Alen |
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1920's and 30's |
Surrealism |
Salvador Dali Rene Magritte Georgia O'Keefe Marcelle Duchamp |
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1907 - |
Cubism |
Pablo Picasso Georges Braque Juan Gris Ferdinand Leger |
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1910 - |
Futurism |
Umberto Boccioni Balla |
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London 1911- |
Camden Group The Camden Town Group was a group of artists inspired by the dark and impressionistic paintings and engravings of Walter Sickert's, who worked in this working- |
Walter Sickert |
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1916 - |
Dada |
Arp Marcel Duchamp Max Ernst |
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1919 - |
Bauhaus |
Walter Gropius |
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Paul Klee |
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Mid 1950's |
Pop Art |
Lichtenstein David Hockney Andy Warhol |
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1940's - |
Abstract Expressionism |
Jackson Pollock |
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Rothko |
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De Kooning |
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Now |
Contemporary Art |
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